“It’s as if I feel at home everywhere or nowhere at all?”
Simon Muchat bares this telling sentiment near the beginning of the newly translated graphic novel Portugal by writer and artist Cyril Pedrosa, which follows the character’s journey to reconnect with his past, present, and place in the world.
Simon, a fictionalized version of Pedrosa, is an aloof art teacher who lately feels uninspired and disengaged. The fluidly shifting languages surrounding him parallel his casual disorientation. This vague comprehension prevents him from grasping any deeper truths in others; only surface impressions.
The scenery around Simon is beautiful and alive with sounds and busy movements that blend into loose and masterfully drawn shapes. The imagery mirrors the strength Simon’s memories. Some are strong, defined, and lasting, while most wash together overlapping perfectly to illustrate the haziness and fleeting nature of memory. The colors in particular reveal Simon’s mood, ranging from calm/reflective blues and greens to the heated/intense reds and oranges. However, a serene mix of amber and yellows dominate and the book is a very relaxed and introspective read because of it.
Simon eventually confronts the source of his artistic draught, a paralyzing void inside him. This emerges as violent vision of murder during a plane ride. Simon soon determines that this void is the absence of his family in his life, previously hinted at in flashbacks. Later while repeating his mantra “Estou Perdido” (I am lost) while trying to find his way to the beach, we get the first glimpse of Simon’s transformation. His former indifference brightens (literally with brighter hues) and Simon becomes enchanted with his surroundings and strives to connect. The remainder of the story follows Simon’s reunion with his family and his investigation of his family history that reinvigorates him.
Spend an afternoon with Portugal and you may be inspired to research your own lineage, reach out to those remote relatives and friends, or just reflect on your own place in the world.
~Garrett, Circulation
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