Sunday, November 12, 2017

Staff Review: The Art of Memoir by Mary Karr

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I know, I know, you've been wondering when a book about writing was finally going to be featured. Well, your long wait is over! The Art of Memoir, by poet and memoirist Mary Karr, is so engaging, it deserves a little time in the spotlight.

Who better to write a book about the memoir genre than the author of The Liar's Club, Cherry, and Lit, a trio of memoirs published between 1995 and 2009 that are said to have re-ignited the genre's popularity, though I imagine The Glass Castle had a little something to do with that as well.

Born into a dysfunctional circus of a family in what she calls the ringworm belt of Texas, Mary Karr's gritty, funny, lively, and irreverent. She's been teaching memoir-writing in Syracuse's MFA program for years. Her book on the craft, The Art of Memoir, will appeal not only to those who want to write a memoir but to those who enjoy reading them as well.

Karr begins each chapter with an intriguing quote and then tackles some aspect of crafting a memoir, from how to approach writing about loved ones to the importance of enlivening your story with lots of sensory detail. I particularly enjoyed her frequent -- and vehement -- insistence that memoirists tell the truth, even if that truth is, by necessity, somewhat subjective.

Karr provides concrete examples of effective technique from a wide variety of fine memoirs, all of which sound so good you'll intend to read every one just as soon as you finish reading her book. Karr kindly includes a handy, six-page Required Reading list of these titles and many more at the end of the book.

If you're in the mood to read even more about the crafts of writing and editing, check out our November display of writing guides, set up by the first-floor Recommendations Desk. The display features dozens of titles, including some of the classics: Bird by Bird by Anne Lamott, Writing Down the Bones by Natalie Goldberg, If You Want to Write by Brenda Ueland, and On Writing Well by William Zinsser. 'Cause the next best thing to writing is reading about it, right?

~Ann, Adult Services

Wednesday, November 8, 2017

#ComicsWednesday: The Tea Dragon Society by Katie O'Neill



Greta is a young girl learning the art of blacksmiths. She finds a wounded tea dragon on her way home one day and befriends its owner. Throughout the story, she learns more about tea dragons from Hesekial and Erik.

She becomes close to their ward, Minette, a girl with a mysterious past. The story deals with loss, disability, love, and kindness. The illustrations are gorgeous, with pastel colors and soft lines. This short graphic novel is perfect to read in one sitting.

With whimsical illustrations and a charming story, The Tea Dragon Society by Katie O'Neill is a great fall read. It gently explores themes of growing up, caring for others, and doing what you love. This graphic novel was originally published as a webcomic, which is free to read online, and it made the transition to print beautifully.

- Libby, Youth Services


Sunday, November 5, 2017

Staff Review: The Road to Jonestown by Jeff Guinn

As the temperature drops, what better way to spend your leisure time than with a gripping true-crime story? The Road to Jonestown by Jeff Guinn is a true-crime story for those who need more than a sensationalized re-telling of the crime itself. The Jonestown massacre looms in our country’s collective consciousness as one of the great disasters of the 20th century. The horrendous nature of the event leads us to look at the characters involved with equal parts fascination and contempt. This book brings the reader into the environment in which the massacre's instigator, Jim Jones, grew up, the people around him who believed in him and his cause, and his rise to power and gradual corruption. Guinn, a former journalist, uses his investigative skills to tell this nuanced story with gripping prose.

In the first part of the book, there are surprisingly few red flags foretelling of looming disaster. Jones had a tendency toward unusual behavior, but didn’t appear to be a complete sociopath early on. We do see a child who takes an unusual interest in religion (neither of his parents were religious) and who has the desire and ability to control people. Jones discovers he has a talent for preaching and manipulating people and he creates congregations to effect social change. 

Peoples Temple, which Jones established in his twenties, had the positive mission of helping the disenfranchised. In the eyes of his wife, Marceline, who stayed by his side until the very end, Jones’s mission was akin to Christ’s and even though she didn’t approve of his means, she witnessed the positive change he was making in the world. In the first half of the book, the Peoples Temple appears to be a force for good. According to Guinn, the Temple played a large part in integrating blacks and whites in the Jim Crow Indianapolis of the 50s. They opened nursing homes and created social outreach programs to help troubled youth. As Jones brings in the disenfranchised by helping them, he gradually unveils his primary objective: the creation of a socialist utopia where everyone gives up their personal property and takes care of each other. It appears that Jones believed in his mission and that he was fighting for equality. He wanted everyone to live as he said God intended—to resist the material temptations of our capitalist society, which glorify the individual, and to take care of each other.

As the story goes on and gets darker, Guinn remains objective and never claims to know Jones’s intentions. Whether or not his heart was in the right place early on, it becomes difficult to believe Jones is fighting for a better world as his cruel and deceitful behavior starts to add up. Physical punishment and humiliation, sexually abusing members, keeping members’ income, selling and taking the property of members, stashing away his fortune in foreign accounts, indulging himself in comforts he denies other members, threatening blackmail for those who try to leave—these are just a few of the acts we find Jones guilty of. Guinn remains objective in his exposition so that the reader can almost understand why Jones's paranoia, grasp of reality, and ego get out of control. A large percentage of his members remain committed to his socialist utopia and want to be examples to the world. They demonstrate, well before the disaster, that they are willing to die for the cause. Their unwavering devotion, mixed with Jones's belief that he is destined to make history, create a toxic cocktail.

Jones started the Peoples Temple in Indianapolis, set up another location in San Francisco, and, spurred by his paranoia of nuclear war, ultimately set up a colony in Guyana. When the media finally caught on to Jim Jones’s misdeeds, he hid in the Guyana camp, Jonestown. The final harrowing chapters in Guyana where a senator and members of the media are murdered and nearly 1,000 people commit mass suicide (whether willingly or not) are equally heartbreaking and allegorical. The Road to Jonestown is a demonstrative story, not as much about fanaticism as about power. Guinn points out that Jones was a demagogue “who ultimately betrayed his followers whether he always intended to or not.” Guinn doesn’t glorify or sensationalize any of the dirty details; instead he treats Jones and the Temple members fairly, revealing Jones as a person gradually corrupted and divorced from reality. With Jones as their infallible leader, most members followed his alternate reality. Guinn handles all these themes and asks the big questions with an eye for the telling detail, bringing both the characters and their setting to life.

~Ben, Adult Services