Sunday, February 21, 2016

Staff Review: The Rocks by Peter Nichols

My review focuses on the audio version of The Rocks by Peter Nichols because while I'm sure the novel is a fine read on paper (or screen), the audio edition is fantastic. Steve West, who narrates the entire book, deserves the audio equivalent of an Oscar (and, in fact, was nominated twice for an Audie Award in 2015 alone). He's intelligent, appealing, and just overall amazing, equally at home with male and female characters, patricians and proles, the young and the old, the honorable and the dissolute, Parisians, Brits, Hungarians, Italians, Americans. Anybody. The novel bursts to life through his many voices.
https://catalog.dubuque.lib.ia.us/cgi-bin/koha/opac-detail.pl?biblionumber=165598&query_desc=kw%2Cwrdl%3A%20peter%20nichols

The quirk (and at times this reader's confusion) with the book is that it unfolds backwards through time, opening in 2005 with a big splash (literally) and then moving into the past in increments, all the way back to 1948. The Rocks of the title is a lovely hotel perched over the water on the coast of Mallorca. Its proprietress, a commanding woman named Lulu, has been running the hotel for decades and serves as hostess to a tight-knit group of more or less degenerate ex-pats. The arc of her life and its early, brief intersection with the life of a Homer-loving islander named Gerald form the central plot of the novel. Lulu and Gerald each have a child, a boy and a girl whose lives intersect throughout, and their stories are told too.

Few of the novel's characters are entirely likable and the preponderance of missed opportunities, misunderstandings, failures, and sad regrets may wear on the reader's patience and psyche. What kept me going was not only the fabulous Steve West but also the way the book vividly re-creates its times and places -- Mallorca present-day or Morocco in the seventies, for example -- and the genuine voices of the island's denizens, which rarely hit a false note, whether it's a lecherous old has-been rambling on and on, the village police chief, the shop-owner who sells Gerald's almonds and olives, or Gerald himself, gentleman and scholar. The achievement of the book is that even while you're put off by the characters' decadence, or triviality, you still kind of wish you were lying on a sun-bleached rock among them, ocean beside you, sangria in hand.  

~Ann, Adult Services

Tuesday, February 16, 2016

New Item Tuesday


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Thursday, February 11, 2016

FY17 Library Budget Presentation Video

Carnegie-Stout Public Library Director Susan Henricks gave a presentation to the Dubuque City Council last evening about the Library's Fiscal Year 2017 budget recommendations. Here's the video:


For more information, see the City of Dubuque's Fiscal Year 2017 Budget.

Colorful, pocket-sized copies of Carnegie-Stout Public Library's Annual Report are available for free at the library.


Tuesday, February 9, 2016

New Item Tuesday


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Sunday, February 7, 2016

Staff Review: Stoner by John Williams

A 2013 review of the novel Stoner in The New Yorker magazine was titled "The Greatest American Novel You've Never Heard Of." I received a copy of the book for Christmas, read it right away, and was happy to see that the library owns it too.

Originally published in 1965, Stoner, by John Williams, sold an anemic 2000 copies and was quickly forgotten. Re-published in the new millenium, it was soon translated into French, becoming a best-seller across Europe. That enthusiasm traveled back to the U.S and Stoner now seems likely to be considered at least a minor classic.

The book's title refers to the main character, William Stoner, a pre-World War I-era farm boy whose joyless, wordless, utterly wrung-out parents wish him to prepare to assume the family farm by studying agriculture at the University of Missouri. In a literature class there one day, the heavens part and Stoner has an almost-religious epiphany, glimpsing the beauty and wisdom to be found in books. Abruptly changing majors, he ultimately earns a PhD, becomes a professor at the college, and teaches there for the rest of his life.

So far, so good, except that every other area of Stoner's life gradually becomes so difficult that the book can be tough to read. In his naïveté, he marries a cold young woman in haste and repents at leisure right up to his death bed. His beloved young daughter becomes estranged from him through the sadistic maneuverings of his wife. Cruel and peculiar college politics prevent his ever being promoted.

If the book is beginning to sound unrelievedly grim, it's not. It's a close-up look at an ordinary life. There are compensations and redemptions. Stoner is a sort of Everyman: fairly unremarkable, quiet, passive; one reviewer refers to him as the anti-Gatsby. But he's also genuinely and wonderfully free of neurosis and of so many less attractive human traits: envy, vindictiveness, anger, resentment, self-pity. The cover of the reissued book admirably portrays his character.

The beauty of this novel lies not only in the prose, where not a word seems wasted, but also in Stoner's day-to-day, clear-eyed sanity, the quiet and committed calm of the man as he navigates a typically turbulent life. It's as though his steadfast devotion to teaching and his unswerving faith in art allow him to exist relatively undisturbed above the fray. Stoner is a tribute to the literary life and to the sustaining power of an earnest vocation.

~Ann, Adult Services