Friday, May 16, 2014

Spotlight on Audiobooks

As the end of the school year quickly approaches, and warm weather shuffles its way here, we're quickly reaching prime audiobook season. Whether you're listening to a book you downloaded from our OverDrive or One Click Digital collections as you do yard work, or a CD or MP3 audiobook is keeping you company on a cross country drive, Carnegie-Stout is hear to help you find something good to read!

Our Adult audiobook collections are located on the second floor (YA titles are in the Teen Zone, and kids' titles are in the Children's Room), and library staff would be happy to help you find a great read any time you stop in. If you aren't able to stop by for a chat, you can always use the Personal Recommendations form to tell us what sort of books you're looking for, and we'll create a list of suggestions just for you!

To get you started, I've put together a list of suggestions for you to check out:

Heart and Soul by Maeve Binchy; narrated by Sile Bermingham
Irish author Maeve Binchy is a Dubuque favorite. The pace in her stories is often relaxed and the tone is typically heartwarming and homespun. Start with Heart and Soul, set in an underfunded Dublin heart clinic, this story features a colorful cast of characters that range beyond the shores of Ireland. Audiobook narrator Sile Bermingham’s accent warmly evokes the setting and characters.

Parker was known for his fast-paced mysteries, especially his Spenser series which gave a fresh take on the hardboiled detective. Witty humor and a complex plot are paired with compelling characters. Try The Professional, a thrilling mix wealth, power, affairs, blackmail, and murder. Joe Mantegna (of Criminal Minds) narrates, which provides a crisp and distinctive voice throughout the series.

Though you probably recognize Elizabeth Gilbert from her famous memoir (Eat, Pray, Love), she’s also an accomplished novelist. The Signature of All Things is the story of Alma Whittaker, born to a life of privilege in 19th century Pennsylvania, science is her true passion. Juliet Stevenson provides a masterful narration of Alma’s journey through life and love that captures the setting.

Fuzzy Nation by John Scalzi; narrated by Wil Wheaton
Scalzi, known for his engaging and offbeat science fiction, updates a science fiction classic, Little Fuzzy by H. Beam Piper, for modern readers. Snarky, unreliable Jack Halloway works as a prospector on a distant planet owned by the wealthy ZaraCorp, but the find of Jack's career quickly turns out to be worth more than his life. Wil Wheaton's (yes, that Wil Wheaton) wry narration is a great match for Jack.

In 1962, an Italian innkeeper falls for an American starlet, an affair that is rekindled 50 years later. An upbeat and engaging novel for fans of character-driven literary romances. Narrator Edoardo Ballerini’s Italian accent and crisp delivery clearly captures the magic of this story.

(Biog Ian) Grammy winner Janis Ian narrates her autobiography, which borrows its title from her famous song, “Society’s Child.” A fascinating behind the scenes look at the music world from the 1960s to today that incorporates Ian’s music, bringing an additional depth to the recording. Some of Ian's music is available for download through our Freegal collection as well (though not "Society's Child").

An epic family saga tracing the sometimes violent fortunes of a Texas family from the 19th century through to the modern age. The multiple perspectives of this 150+ year history each receive own narrator: Will Patton, Scott Shepherd, and Dubuque native Kate Mulgrew. The narrators add to the novel’s strong sense of place.

An engaging historical novel, The Chaperone tells the story of Cora, small town wife and mother, who accompanies ingĂ©nue Louise Brooks to New York City in her quest for stardom. Elizabeth McGovern’s (Downton Abbey) skilled narration creates distinct voices for the characters, bringing the Roaring Twenties to life for listeners.

A compelling and intricately plotted stand-alone from a master of suspense thrillers, Six Years is a story of lost love and shattered expectations. Jake is devastated when the woman he loves marries another man, but when her husband dies six years later, Jake is forced to realize he never really knew Natalie. Narrator Scott Brick’s gravelly voice is a perfect match for the sarcastic Jake.

Wednesday, May 14, 2014

Staff Review: Z by Therese Anne Fowler & A Wilder Rose by Susan Wittig Albert

Z: an novel of Zelda Fitzgerald by Therese Anne Fowler gives a Lost Generation view from Zelda’s eyes rather than from her more famous spouse, F. Scott Fitzgerald.

A Wilder Rose by Susan Wittig Albert relates the story of Rose Wilder Lane, who should have shared credit for the authorship of the Little House series along with her better known mother, Laura Ingalls Wilder.
The books have a number of similarities. Both are fictionalized accounts of actual people facing similar hardships and share the same basic time-frame from the 1920s through the 1940s. Both are well reviewed, irresistible reads with a common underlying theme: Zelda never escapes Scott’s shadow, just as Rose Wilder Lane is overshadowed by her mother, full well knowing the Little House books would not have been successful but for her editing.  

Alabama belle Zelda Sayre, daughter of a well-to-do judge, meets and marries Lt. Scott Fitzgerald post World War I. Zelda is a free spirit, ready to escape the strictures of Southern womanhood. The couple moves from Alabama to New York to Paris to Italy, encountering Dorothy Parker, Pablo Picasso, Ernest Hemingway and many more luminaries of the era.  Despite Scott’s success as an author and the couple’s glittering social life, the Fitzgeralds live on a financial roller coaster. Zelda serves as a sounding board for Scott’s writing and finds some success on her own, but some of her articles are sold under Scott’s name because he could command a better price.

Rose Wilder Lane has a Midwest upbringing in South Dakota and Missouri. Her parents are Almanzo Wilder, the central character in Farmer Boy, and Laura Ingalls Wilder. The family suffers the loss of an infant son, Almanzo’s ill health and financial hardships. Rose escapes by becoming a telegraph operator than an author of increasing repute. The stock market crash forces Rose back to Missouri, and she begins helping her mother market her pioneer stories to provide some income to support her parents.

These two biographical fiction books have led me to consider how fact and fiction can come together to create great reads. My curiosity will point me towards Zelda’s letters and Rose’s work under her own name. The best reads to me are ones that make me want to read more.

 - Michelle, Adult Services

Friday, May 2, 2014

Staff Review: Orphan Black

Whether I'm reading a book or watching TV, the most important element to me are the characters. I like a clever plot, I appreciate beautiful language, and if a story's set in outer space, I'll at least check it out, but more than anything else, I need interesting characters.

Orphan Black, I'm happy to say, is absolutely a character-driven story. Not that there isn't a fascinatingly twisted plot, but the real treat, for me at least, was watching how the different characters reacted to the story. The fact that many of those characters are played by the same actress (Tatiana Maslany) is what really sets this show apart.

If you don't want to risk any spoilers, this is where you should stop reading, and instead check out the first season on DVD. Not that I'd risk ruining this for anyone with major spoilers! As someone without cable TV, I've been trying my best to avoid spoilers for the second season before the DVD release on June 24th.

Sarah Manning (Tatiana Maslany) has decided to make a clean break with her troubled past (drugs, abusive ex, petty crime, etc.) to regain custody of her daughter. Unfortunately, a clean break requires funds and Sarah is broke, but then, on an otherwise deserted train platform, a woman who could be her wealthier doppelganger commits suicide. Sarah sees an opportunity and takes it, and of course, by it, I mean the dead woman's purse. Sarah plans to clean out Beth's (the dead woman, also played by Tatiana Maslany) bank account, fake her own death, and live  happily ever after.

Of course, this is not at all how things go, and Beth, we quickly learn, is not the only woman who looks disturbingly similar to Sarah. Conspiracy, murder, dark humor, and did I mention how amazing Tatiana Maslany is? Because she (and the rest of the cast and crew) take what could've been another somewhat goofy science fiction conspiracy show (not that I don't love goofy science fiction conspiracy shows) and create something obsessively watchable.

~Sarah, Adult Services

Thursday, May 1, 2014

Popular Photography and The Artist's Magazine are our May Magazines of the Month

Get inspired and explore your artistic side this spring! Carnegie-Stout has a broad collection of books dedicated to painting, woodworking, and any number of other crafts. To fit with this theme, our May magazines of the month have a creative bent.
https://catalog.dubuque.lib.ia.us/cgi-bin/koha/opac-detail.pl?biblionumber=10968&query_desc=kw%2Cwrdl%3A%20artist%27s%20magazine 
Popular Photography began publication in 1937, and is today the most popular photography periodical on the market. They cover information for beginners and experts, traditional film photography and modern digital methods. You can check out the latest print issue or borrow a digital issue through Zinio 

More monthly features and tips are available on their website: www.popphoto.com


The Artist’s Magazine is celebrating their 30th anniversary of publication in 2014. Each issue is devoted to the work of visual artists, primarily those interested in painting. In addition to advice and interviews, they offer competitions and contests.

More features, including videos, can be found on their website: www.artistsnetwork.com/the-artists-magazine

Monday, April 28, 2014

The Varsity Was the Smallest

One of the laundromats near Loras College used to be a movie theater. Rich and Kay Manternach managed that theater, the Varsity at 1111 Loras Boulevard, during the 1950s.
The Varsity movie theater circa 1954. Photo contributed by Rich and Kay Manternach.
The Varsity movie theater circa 1954. Photo contributed by Rich and Kay Manternach.
Rich says, “Ray Duttle was the guy who originally put up the buildings on Loras, a theater and a grocery store.”

“My father, Gus Manternach, had a grocery store on Locust Street. He bought the new building on Loras from Ray Duttle, and opened Manternach’s Market.”

“Paul Weitz bought the theater. Weitz ran it for a while, but then sold it to my dad for about $14,000.”

“A man named O’Rourke, I can’t remember his first name, leased the theater from my dad. O’Rourke had a fire in the late 1940s, and he decided to get out of the movie business, so he subleased the Varsity to me.”

“That sublease from O’Rourke was kind of a thorn in my side,” Rich says. “I could have gotten a better deal from my dad. The Varsity had been completely renovated after the fire, though. It had a new screen, new drapes, and fresh paint.”

“I was at Loras College on the G.I. Bill around that time, from ‘48 to ‘52. I majored in economics with a minor in accounting. Since I was getting into the movie business, my thesis at Loras was The Monopolistic Practices of the Movie Industry.”

“You see, all the big movie theaters in Dubuque, like the Strand, Avon, and Grand, were owned by one person,” Rich says. “The smaller theaters, like the State, RKO Orpheum, and the Capitol on the north end, were owned individually.”

Kay says, “The Varsity was the smallest.”

"Well, wasn’t the Capitol about the same size as the Varsity, Kay?” asks Rich. “Up by your neighborhood by 22nd and Central, on the corner where Hartig's is?”

Kay says, "I thought the Capitol was a little bigger, but I could be wrong."

Rich says, “The Varsity had 205 seats. When you first walked into the theater, we had a box office up front, a popcorn machine, and there were steps up to the projection room. Inside, the seats sloped down toward the screen, which was all the way in the back.”

“Tickets were 14 cents for a child and 40 cents for an adult," Rich says.

Kay says, "The Varsity only ran evening movies. The only matinees were Saturdays and Sundays. We were closed on Wednesday nights."

"We had two changes of movies each week,” Rich explains. “Movies would run for three days, usually one main feature and a cartoon, maybe short subjects and previews of coming attractions.”

“They were all second-run films, sometimes the third and fourth run, because there were so many theaters in Dubuque,” Rich says.

“We had From Here to Eternity, with Ernest Borgnine and Frank Sinatra and . . . who was that guy who died, Montgomery Clift?” asks Rich.

Kay says, “Lana Turner in The Bad and the Beautiful, I think that was the first movie we ran. That was a big hit.”

"And Frankenstein was a big movie, a big draw.” Kay says. “One Halloween we paid someone to dress up as Frankenstein, but we hadn't advertised it. When the time came, Rich lowered the lights, and Frankenstein came down the middle aisle, and the people shrank toward the walls. I remember that."

Rich laughs, "Since Kay is younger than me, she remembers quite a bit!"

Rich and Kay Manternach. Photo by Michael May.
Rich and Kay Manternach. Photo by Michael May.
Kay says, “Gregory Peck and To Kill a Mockingbird. James Cagney was popular, and we had a couple of his movies. There were a lot of musicals, which they don't have today."

Rich says, "I liked The Three Stooges. Kay didn't like them, but they were so crazy!"

Kay says, "Oh, you know what else was popular? The cowboy movies. Roy Rogers and Gene Autry. I remember those."

Rich says, "I know one thing that kept people coming back. The Strand was noted for serials. They'd show The Lone Ranger for 15 minutes, and then the following week they’d have the next episode.”

“They'd get all the kids in there on Saturday afternoons. Their mothers would give them 15 or 20 cents to go away, to go to the movies down at the Strand. Kids from all over wanted to go.”

“The cartoons were good back then, too. Bugs Bunny and, uh . . . ." Rich looks at Kay.

Kay says, "Road Runner."

Rich says, "Popeye, you know. They were good back then. I loved 'em.”

"Cartoons and features were separate,” Rich continues. “Our distributor was out of Des Moines. They'd have a salesman who'd come around, and he'd want to sell you the films.”

“If it was The Lone Ranger or something, it'd be $12.50, or maybe $15 for a three-day showing. Higher-grossing movies would be around $17.”

“If it was something like Gone with the Wind or From Here to Eternity, they put it in on a percentage basis, like 20% or 35% of the gross,” Rich says.

The Bad and the Beautiful (1952)
“To keep you honest on that, they'd take the number off of your ticket stock. They had a key to the theater, and they'd come in and drop off the reels in steel cases with handles.”

“Long films would have four or five reels, in 35 mm. We had two projection booths. The projectors were Simplex. You had to switch reels over with a pedal on the floor,” Rich says.

“As the film would progress near the end, there'd be a dot on the right hand corner, and that was when you'd start the other reel going. When the second dot came, you'd hit the pedal, and that switched you over to the other machine.”

“If the film broke, you'd pull the reel out and restart it on another reel. When you got through, you'd take that over and splice it with glue. They had a splicing machine, and you'd just glue it up there and put it back in, and it didn't delay the movie.”

“Simplex projectors were popular,” Rich says. “They had carbon-arc lamps. You had to put the carbons into them and they were self-fed. I don't think they use those, anymore.”

"I did everything upstairs.” Rich says. “I was in the projection room most of the time. They had a buzzer downstairs in case of trouble. Once in a while Kay would say I dozed off."

Kay says, "He'd fall asleep and the screen would go dark, and the buzzer wouldn't wake him up. We had a broom downstairs, and I’d take the broom handle and bang on the ceiling.”

"I worked full-time in an office after I graduated in ‘52,” Kay says, “but I'd go up to the Varsity at night and sell tickets for Rich, because I was free help."

Rich says, “I'd give her popcorn, but no money.”

Kay says, “Yeah, he didn't pay me.”

“Before the Varsity, Kay worked at the RKO Orpheum, where Five Flags is now.” Rich says, laughing. “She used to get me in free!"

“I worked at the Orpheum for about a year and a half when I was a kid,” Kay explains. "I was 15. I lied about my age to get the job. We wore uniforms. I was an usher.”

“It was fun,” Kay says. “A big deal. 40 cents an hour. We got two free passes a week and all the popcorn you could eat, if you saved the original box.”

“My sister Phyllis helped me at the Varsity, too,” Rich says. “Phyllis was held up at gunpoint one night when she was working as cashier.”

Rich pulls out an old newspaper clipping about the robbery. “They got away with $65. The police never caught them.”

Kay says, "The Varsity was a good family theater. We had a good clientele. A lot of youngsters."

"We never had any controversial films,” Rich says. “Dubuque was a very Catholic town at that time."

"I can remember a lot of the guys,” Rich says, “guys I went to high school with. There was one guy, I won't mention his name, he used to come down . . ."

Kay says, "Don't say his name. He’s very well known, today."

Rich continues, "He would sneak in after they closed the box office. I'd go down and politely ask him to leave, because, you know, he had money. I'd see him up at Timmerman's. He'd come up and pat me on the back, and we were still good friends."

“Another thing,” Rich says, "we never had central air. Back then that was not uncommon. When I grew up my folks just had a window unit on Alta Vista, and Kay's house never had it.”

“When we finally put air conditioning in at the Varsity, that was a big plus on hot summer nights. Everything is changed, now,” Rich says.

Kay says, “Yeah, we had a lot of traffic, but it got to the point where TV just killed the neighborhood theaters.”

“A franchise called Jerrold’s brought cable TV to Dubuque in the late ‘50s, and they started robbing the picture attendance,” Kay says. “We had to close the Varsity soon after, because we really couldn't make ends meet.”

“A lot of people started going to Cinema Center on the west end. Oh my God, that was a beautiful theater!” Rich says. “Both of my kids worked there."

"I went to work for Rainbo Oil Company. I worked in the office for them for a couple or three years, and then I managed a Super Station up there on 20th and Elm,” Rich says.

“Then Rainbo sold that property and it became a Pizza Hut, so I worked for a company out of Des Moines. I was in sales for most of my time.”

The Varsity laundromat at 1111 Loras Boulevard in Dubuque.
The Varsity laundromat at 1111 Loras Boulevard in Dubuque.
“My father’s market stayed open into the ‘60s, and he turned the Varsity into the laundromat,” Rich says.

"When they put the laundromat in, they had to raise the floor, you see, because it was sloped. They put in some side windows. The upstairs stuff was taken out, the Simplex projectors, and somebody must have bought them, but I don't know.”

“I don't know,” Rich says again. “Where were we when they did that, honey?”

Kay shrugs.

“We were probably cryin’ the blues,” Rich says, laughing.

Michael May is a librarian at Carnegie-Stout Public Library where he shows free movies and selects titles for the Blu-ray and DVD collections. His email address is mmay@dubuque.lib.ia.us.

Thanks to Bryce Parks at Dubuque365.com for including this article in the April 24--May 7, 2014 issue of 365ink.

Tuesday, April 22, 2014

ComicsPlus Library Edition

Carnegie-Stout has digital books, audio books, music, and magazines. These services have proven to be a popular option that lets folks get library materials without worrying about hours or parking. Now, thanks to funding from the Friends of the Library, we're pleased to start offering digital comics.

ComicsPlus Library Edition offers thousands of comics, readable on any device with an internet connection and a full-featured web browser. The comics look great and work smoothly on desktops, laptops, tablets, and smartphones. To get started, click the link above or go to our homepage, mouse over E-Branch Library to select Digital Collections, and then click the link for ComicsPlus Library Edition.

To start reading comics you'll need both a library card and a ComicsPlus account. If you're new to ComicsPlus, you'll want to start by clicking Register Now to make an account. Just type in your email address and make up a password (the password must contain numbers, lowercase and uppercase characters -- minimum 5 characters).

Once you've created your account and return to the login page, click on the Library box to switch it to
Carnegie-Stout. Then enter your email address, the password you just made, your library card number, and your PIN (the boxes for your card number and PIN are labeled Patron Username and Patron Password). If you get an error saying that your patron username or password are considered invalid, it's probably a simple issue with your card. Give the library a call at (563) 589-4225 and we'll probably be able to clear it up over the phone.

Once you've logged in, you can browse the available comics by publisher or search by title and author. When you find something you want, just click Borrow to start reading. Titles check out for one week. You don't need to do anything once the week is up. Your expired comic will just disappear. Every comic can be read by any number of patrons at a time, so you'll never see something that isn't available. Because you read the comic online rather than downloading it, you do need to have an Internet connection while reading.