Bingeworthy TV: Lost Girl

If you've read much ancient folklore, you might remember what a succubus is and why Lost Girl is not a show you'd want to watch with children. For those who are less familiar, a succubus is a feminine creature that gains power through absorbing sexual energy (the masculine equivalent is an incubus). While Lost Girl does include frank discussions of sex and sexuality, the actual sex scenes are fairly PG-13. This Canadian series aired on SyFy in the U.S., not HBO or Cinemax, so if you're comfortable with Outlander or Game of Thrones, you should be safe with Lost Girl.

Lost Girl falls squarely in the realm of Urban Fantasy where each week (or over the course of the season) our main characters face off against supernatural or paranormal dangers and mysteries. Think Buffy the Vampire Slayer or Supernatural. This show is a great mix of adventure, romance, and humor that keeps even high stakes stories from losing the fun.

Bo is our main character. She was raised by adoptive human parents and raised to believe she too is a regular human being until she discovers accidentally that she has the ability to kill through kissing or other sexual behavior by draining her partner of their vital energy. She spends years on the run, until she saves a young woman from a serial rapist and the local police (who also happen to belong to the local Light Fae Court) find her.

Bo decides to stop running and learn more about who she is and where she comes from. She takes up work as a private investigator of sorts. The young (human) woman she saved, Kenzi, has a troubled past of her own, but decides that she's going to stick with Bo. The friendship between Kenzi and Bo is probably my favorite part of the entire show. The inevitable love triangles that develop around a succubus are also entertaining, but nothing beats a best friend.

~Sarah, Adult Services

Bingeworthy TV: The Sopranos

The Sopranos and The Wire often butt heads for first place for best-ever TV drama. I just finished watching The Sopranos -- over several months. You could binge-watch it but you might lose the will to live.

Not that The Sopranos isn't good; it's excellent, but, wow, can it be intense. The seven-season show offers a bird's-eye view of one Mafia family, headed by Tony Soprano, played by the late actor James Gandolfini, who manages to imbue the role with equal measures of sensitivity and boorishness, quick intelligence and thick-headedness.

Tony is a thug, a racketeer, an extortionist, and a cold-blooded killer, but he loves his wife and kids (he also loves animals). His love of family doesn't stop him from sleeping with an endless stream of  women or brutally offing relatives who've strayed from true north. He's in therapy about all this, a secret he prefers his mob associates not know.

The real beauty of the show lies in its huge cast of characters and their unfolding lives over time -- Tony's henchmen, their families, Tony's own extended family, competing crime families, and a revolving door of comers and goers (the latter often exit in pieces). Performances are great across the board.


I liked the domestic subplots the best, involving mob children growing up and independent (or not) and sympathetic mob wives and girlfriends who love their thugs and their church and the pope. The women lunch, they shop, they refuse to face the fact that their lives are entirely subsidized by blood money; all the while their men wreak holy havoc like outlaws in the Wild West except it's today and this is New Jersey.

~Ann, Adult Services

Staff Review: Portugal by Cyril Pedrosa

“It’s as if I feel at home everywhere or nowhere at all?”

Simon Muchat bares this telling sentiment near the beginning of the newly translated graphic novel Portugal by writer and artist Cyril Pedrosa, which follows the character’s journey to reconnect with his past, present, and place in the world.

Simon, a fictionalized version of Pedrosa, is an aloof art teacher who lately feels uninspired and disengaged. The fluidly shifting languages surrounding him parallel his casual disorientation. This vague comprehension prevents him from grasping any deeper truths in others; only surface impressions.

The scenery around Simon is beautiful and alive with sounds and busy movements that blend into loose and masterfully drawn shapes. The imagery mirrors the strength Simon’s memories. Some are strong, defined, and lasting, while most wash together overlapping perfectly to illustrate the haziness and fleeting nature of memory. The colors in particular reveal Simon’s mood, ranging from calm/reflective blues and greens to the heated/intense reds and oranges. However, a serene mix of amber and yellows dominate and the book is a very relaxed and introspective read because of it.

Simon eventually confronts the source of his artistic draught, a paralyzing void inside him. This emerges as violent vision of murder during a plane ride. Simon soon determines that this void is the absence of his family in his life, previously hinted at in flashbacks. Later while repeating his mantra “Estou Perdido” (I am lost) while trying to find his way to the beach, we get the first glimpse of Simon’s transformation. His former indifference brightens (literally with brighter hues) and Simon becomes enchanted with his surroundings and strives to connect. The remainder of the story follows Simon’s reunion with his family and his investigation of his family history that reinvigorates him.

Spend an afternoon with Portugal and you may be inspired to research your own lineage, reach out to those remote relatives and friends, or just reflect on your own place in the world.

~Garrett, Circulation

Bingeworthy TV: Crazy Ex-Girlfriend

When I was small I loved watching musicals on the old movie channel on TV, but I never became a Musical Theater Fan. You don't need to be a capital-F Fan to enjoy Crazy Ex-Girlfriend, but you do need to be someone who isn't going to roll their eyes every time the cast breaks into a big musical number.

Because as delightful and human as the characters are, as wacky and insightful as the humor can be, you're going to be annoyed by the one or more choreographed songs in each episode. If, on the other hand, you check out this show because you love the idea of a musical sitcom, I hope that you'll enjoy the thoughtful and relevant soap opera-esque plot as much as I do.

This show looks like a goofy bit of fluff, and I'll admit it, the title alone put me off for months. However, the cast and writers manage to tackle some serious concepts and issues, including topics that are generally considered taboo, in ways that are nuanced and smart, while still genuinely entertaining. From sexuality and relationships to mental and reproductive health, Crazy Ex-Girlfriend covers a lot of ground.

Plus, the music's pretty darn good (and guaranteed to get stuck in your head).



~Sarah, Adult Services

Staff Book Review: "The Hunger" by Alma Katsu and "The Best Land Under Heaven" by Michael Wallis

This past winter I read two books about a topic in American history that still has the power to elicit a strong emotional response. The Hunger by Alma Katsu and The Best Land Under Heaven by Michael Wallis both describe the ill-fated Donner Party. The story lingers in our imagination and can instantly set an eerie mood as represented in our popular culture at the beginning of The Shining when Jack Nicholson’s character explains the story to his wife and little boy as they’re driving through the mountains. The short version is that a party of covered wagons gets stuck in snow in the Sierra Mountains and resort to cannibalism to survive.

The taboo and grisly nature of the story make these events ripe for horror stories. The Hunger by Katsu is one of these horror-interpretations, but a mighty good one! The Best Land Under Heaven is a narrative nonfiction. It was interesting to read the nonfiction before the fictionalized account because it gave me some sort of historical basis and litmus test to weigh the Katsu book against. Both of the stories were excellent reads as I really felt like I was in the head of these early pioneers. 

Katsu’s tale jumps right into the trip, later revealing backstory (or inventing it) only to develop characters. She chose to focus on only a handful to keep the storyline tight. We get romantic tensions, jealousy, machismo, and back-stabbing among the party. As I felt she took liberties with a lot of the characters, it was also clear that she did her homework, as many of the journals from the party have survived. As the party moves west and they encounter natural disasters, they begin to feel like some other kind of force is following them. As party members are attacked, and these attacks can be quite gruesome, we learn of some possession taking over these individuals. Fans of horror who like atmosphere will really enjoy the eerie setting and the suspense of the party being plucked one by one. Knowing even a little bit of details from the real story adds to the suspense as you wait to see how Katsu will arrive and resolve the final harrowing chapters. Although this tale is horrific, and she does take liberties with the characters—possibly making some nastier then they actually were—her attention to historical detail gives her story credence. The romantic tension between characters also adds another element of emotional depth.

As much as I enjoyed The Hunger, I feel the Wallis book was exceptional and one of the best books I read in 2017. This factual account of the disaster is far more terrifying than having a supernatural explanation. He ties the story with the theme of Manifest Destiny, the reason why even people of means left everything behind to seek more. We meet many historical figures along the way—including a young Abe Lincoln when he was a lawyer in Illinois. This book definitely moves at a slower pace— I mean they only averaged about 10 to 20 miles a day in covered wagons— but you get to follow the Oregon Trail and experience the awe and difficulties of traversing this country in the mid-19^th century. The historical detail and the story of each character humanizes the tale and, in my opinion, makes it more satisfying than any of the sensationalism often reported around the event.

Neither of these books are comforting reads. Obviously one isn’t after that when they pick up a book on the Donner Party. They do have the power to transport one to another time in our recent history and put in perspective some of the motivations of settlers seeking better lives, for better or worse, and what they risked to pursue their dreams. These books, especially the Wallis text, paint a picture of the hardships they faced on a daily basis before even reaching the Sierras. While I’ll take the nonfiction over the zombie story, I can recommend reading either book. Though the setting can arouse a bit of romanticism in many, including myself, it’s difficult to take our modern comforts for granted when reading these books.

~Ben, Adult Services

Great Reading Challenge: Category Spotlight "A Famous Crime"

The Great Reading Challenge of 2018 is in full swing. If you haven't heard, the Great Reading Challenge (GRC) is open to adults 18 and over and is a fun way to engage in reading with a community of like-minded readers, while tracking your books read for the year. You get to choose categories - either before or after you read books. Use the GRC to broaden your reading horizons, or just have fun finding categories to fit the books you were going to read anyway. Maybe you will read more broadly, or maybe you will finally get to some of those books you have meant to read for years! In any case, we hope you'll have fun reading! Register for the GRC here.

This new regular blog spotlight will highlight books we have available for check out at Carnegie-Stout that fulfill different categories of the GRC. All of the book descriptions are courtesy of our NoveList Plus database.

This spotlight covers #11 "Read a book about a famous crime"


In Cold Blood by Truman Capote (364 CAP)
Available in book, ebook and CD Audio Book

"On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. In Cold Blood is a work that transcends its moment, yielding poignant insights into the nature of American violence."

Helter Skelter: The True Story of the Manson Murders by Vincent Bugliosi with Curt Gentry (364.1523 BUG)
Available in book format

"The prosecutor of the Tate-LaBianca trials presents the inside story behind the Manson killings, explaining how Charles Manson was able to make his "family" murder for him, chronicling the investigation, and describing the court trial that brought him and his accomplices to justice."

Ugly Prey: An Innocent Woman and the Death Sentence That Scandalized Jazz Age Chicago by Emilie Le Beau Lucchesi (364.1523 LUC)
 Available in book format

"An Italian immigrant who spoke little English and struggled to scrape together a living on her primitive family farm outside Chicago, Sabella Nitti was arrested in 1923 for the murder of her missing husband. With no evidence and no witnesses, she was quickly found guilty and sentenced to hang. Ugly Prey is a page-turning courtroom drama, but also a thought-provoking look at the intersection of gender, ethnicity, class, and the American justice system."