From Page to (Small) Screen - Miss Fisher's Murder Mysteries

Thanks to Downton Abbey and Call the Midwife, period dramas are all the rage, especially if they take place in a foreign country and are produced by a foreign country's broadcasting corporation.  Miss Fisher's Murder Mysteries is a period drama, produced by the Australian Broadcasting Corporation (ABC) which makes sense, because the show takes place in Australia, specifically Melbourne in the 1920s.  ABC, BBC, it doesn't matter who produced this show, it is a wonderful period drama with an amazing lead character and oh my, the costumes!  I'll get to the costumes later.

Kerry Greenwood created the Honorable Phryne Fisher for her series of detective novels starting with Cocaine Blues in 1989.  Phryne (pronounced Fryne) is a wealthy aristocrat living in St. Kilda, Melbourne in 1928.  She is a 28-year-old detective who solves all types of crimes with the help of her maid, Dot, and a couple of taxi drivers named Bert and Cec.  Phryne was not always rich, when all the other male heirs in her father's line were killed, he inherited a title and a great deal of money.  She worked as an ambulance driver in France during WWI, as an artist model in Montparnasse (an area of Paris, France) after the war and eventually ends up in Melbourne.  She is an amazingly accomplished woman.  She can fly a plane (gasp!), drives her own car (the horror!) and sometimes she wears trousers (stop! I'm having heart palpitations!).  Phryne is a bohemian, but she is incredibly stylish and classy at the same time. 

When ABC was looking to adapt a crime novel for television, Kerry Greenwood's series was brought to their attention.  In June of 2011, ABC commissioned a thirteen-part series to air the following year.  Thus, the wonderful, visually appealing, Miss Fisher's Murder Mysteries television show was born. 

The main cast of characters from the book appear in the television show. In addition to Phryne there is:

• Detective Inspector John "Jack" Robinson - a police detective who reluctantly works with Miss Fisher

• Dorothy "Dot" Williams - Miss Fisher's companion/maid, she is a devout Catholic and often acts as Miss Fisher's moral compass and voice of reason

• Constable Hugh Collins - Inspector Robinson's right hand man

• Mr. Butler - Miss Fisher's loyal butler

• Bert Johnson and Cec Yates -Taxi drivers, devout communists, often assist Miss Fisher in her investigations

What makes this show so wonderful is the fantastic cast, the interesting (and sometimes over-the-top) cases Phryne gets involved with, the chemistry between the characters and last, but not least, the clothing.  Phryne's wardrobe is an incredible collection of 20s and 30s fashion.  The costume designer for the show, Marion Boyce, deserves an Emmy (in my opinion) because every single thing Phryne wears is amazing.  Boyce did all the costumes, not just Phryne's, and though more understated, the other costumes are just as wonderful.  Dot, for instance, dresses very conservatively in tweeds and cardigans, offering a nice contrast to Phryne, who has no problem showing off a lot of skin.

To date there are 20 books and 34 episodes.  The episodes with the same name as one of the books will have the same plot, though there are usually deviations due to artistic license.  Do you need to read the books to enjoy the tv show?  Absolutely not! I binge-watched the entire first series before I read Cocaine Blues.  I don't often say this, but I like the show better than the books.  Maybe it is because I need the visual of Melbourne in the 1920s, or perhaps it is because I saw the show first.  I'm not sure, but I will say you should give the books and the show a chance.  Read then watch, watch then read, just read or just watch. The decision is up to you.

~Amy, Adult Services

Staff Review: The Light Between Oceans by M. L. Stedman

Ouch! This book hurts. It’s also dazzlingly beautiful, but the more you succumb to the beauty of the prose and of the remote island setting where the story unfolds, the more the plot rips your heart out. At least this was my experience.

But let me back up. The Light Between Oceans is a 2012 debut novel by Australian author M. L. Stedman. Many people read it; most loved it (approximately 156,000 reviews on GoodReads at last count). Then, DreamWorks acquired the film rights and a movie was made, starring Michael Fassbender and Rachel Weisz among others. The movie’s set for release in 2016. I don’t know if I’ll be able to handle the story again.

The main characters are Tom Sherbourn, a stalwart and upstanding but emotionally ravaged young World War I vet, and his free-spirited, newlywed wife, Isabel, who set up house (or lighthouse, to be precise) on isolated Janus Rock off the west coast of Australia, where Tom has signed on as light-keeper.

The book’s opening chapters are idyllic. Janus is the perfect place for these starry-eyed lovers to hole up and for Tom to heal. They both love the sea, the solitude, the silence. Some of the novel’s most gorgeous passages capture the fluctuating water, altering sky, and shifting light. But Isabel yearns for a baby. Over several years she suffers two miscarriages and an agonizing stillbirth.

Then one day a small boat washes up on the island’s remote side, carrying a dead body and a tiny living infant. Tom’s position requires that he record and report every happening on Janus Rock, but, very reluctantly, he allows Isabel to persuade him that the infant is now likely an orphan and might just be a gift bestowed by the universe after all the heartbreak they’ve suffered in their attempts to make a child. So, Tom buries the dead man and sets the boat adrift while Isabel begins caring for the infant, who instantly wins their hearts and completes their family.

The chapters that follow continue the idyll: Tom, Isabel, and Baby Lucy compose a near-perfect happy family who thrive in their exquisite life on Janus Rock. Only Tom suffers pangs of conscience -- over what he has allowed to take place, what he has omitted from his reports, an omission that could end his light-keeping career and lead to formal charges. And indeed Tom’s misgivings bear fruit. The idyll ends and the pain begins.

The moral of the story (and this is quite courageous on the author’s part) seems to be that we inhabit a moral universe, the truth will out, and wrong acts will have their full repercussions. Stedman unfolds the rippling consequences of the Sherbourns’ wrong act in a slow and meticulous way that is absolutely wrenching for the reader, who watches in horror as the family on Janus Rock is slowly ripped asunder. Sure, justice is ultimately served – and I’m 100% for justice – but in this instance I’m afraid I was rooting for the wrong: for Tom, Isabel, and stolen Baby Lucy in their island paradise rimmed by dolphins and whales.

~Ann, Adult Services