Staff Review: Spoonbenders by Daryl Gregory

Spoonbenders, by Daryl Gregory made me laugh more than any other book I've read lately. Gregory’s story about the Amazing Telemachus family has clever dialog and plot, interesting characters, a tight-knit riotous family, and suspense. All these varying elements come together in a cohesive and enjoyable read.

In the '60s, the Telemachus family were on the verge of stardom with their psychic act. Telekinesis, telepathy, time traveling, lie-detecting, astral-projection – each person had their own specialty. Their glimmer of fame was abruptly doused after being discredited on national television by their soon-to-be nemesis Archibald. Fast forward to the '90s – the family are leading an average existence of working small jobs and supporting the next generation. Two of the three psychic children from the '60s now have children of their own. Hormonally charged 14-year-old Matty is beginning to find out who his family was as he stumbles upon his own power. His single mother Irene is working at ALDI to support the family and flirting with the idea of love in the age of dial-up Internet and chat rooms. Buddy has withdrawn into himself and behaves erratically. Frankie is scheming to get money he owes the mob. Maureen is communicating beyond the grave with letters she left the family to open at specific intervals. Teddy is associating with a CIA agent from his past. 

The novel goes back and forth between the decades of the '60s and the '90s. In the '60s, the family’s origins are explained as Teddy the patriarch meets his wife-to-be, Maureen, at a CIA-sponsored psychic-screening test. The seeds for later developments get planted as well. In the '90s, we get the drama and humor that goes along with the next generation (Teddy and Maureen’s three kids) trying to make sense of their present and reconcile their past. 

All the characters are fully realized and likable. I found myself especially drawn to Frankie. Although he puts the family in danger, he’s a lovable misfit with an optimistic outlook. His short fuse and funny lines are frequently the cause of comic relief. 

Gregory’s novel has a lot going for it. There’s a bit of nostalgia for millennials, and to a lesser extent, a bit for baby-boomers. There’s enough suspense to make it a page-turner with humor to keep you grinning throughout. The writing is intelligent and the characters quirky. Those who might be leery of the science fiction themes can rest assured that the psychic element is more of a backdrop in this family drama. The powers often prove more of a burden than a gift. Spoonbenders offers a bit of escapism as well as an affirmation of the bonds of family, no matter how disorderly.  

~Ben, Adult Services

#ComicsWednesday: Atomic Blonde: The Coldest City by Antony Johnston & Sam Hart

I really enjoyed Mad Max: Fury Road (a.k.a. the car chase movie with interesting female characters), so when I saw previews for Atomic Blonde, another action film starring Charlize Theron, I was excited. So before I saw the movie, I checked out the comic it was based on, The Coldest City (the library's copy is retitled Atomic Blonde: The Coldest City to tie in with the film release), and I can tell you that the comic and the movie are meant for different audiences.


The Coldest City was written by Antony Johnston and illustrated by Sam Hart. Hart's striking black and white artwork with its focus on the characters set the story's emotional tone for me as a reader. I admire Hart's use of shadows to convey the way that secrets were hidden and revealed. The plot was an unremarkable spy story with twists and double crosses I didn't find all that surprising, though the story's setting in Berlin just before the wall came down marking the beginning of the end of the Cold War was interesting.

The plot follows a hunt for a list of the true identity of all spies active in Europe (more or less a MacGuffin) and features a female character in a sea of men who underestimate her. Regardless of the book's historical setting, I expect more from a book written in 2012 than I do one written in 1989, and found this choice exhausting.

The film adaption largely removes the importance of sexism to the plot, and swaps two speaking roles from men to women. However, when you add in the film's increased emphasis on graphically violent action sequences, this change is problematic at best (spoilers). The filmmakers also place a great deal of care into the soundtrack and some strikingly colorful visuals, creating a very different tone from the comic.

The movie was okay, but I prefer action movies with an emphasis on fun over gritty (the above gif was maybe the only funny part). What I really appreciated about the film was the way it made me reexamine my experience of the comic. At first read, The Coldest City seemed bland and predictable, but the movie helped me to appreciate its comparative subtlety and how the use of an unreliable narrator creates space for ambiguity.

~Sarah, Adult Services