New York Times Best Sellers

For the Week of January 13, 2019

Fiction Best Sellers

Full 2019 list

          1. THE RECKONING by John Grisham

          10 weeks on the list
         

2. FIRE AND BLOOD by George R.R. Martin


6 weeks on the list
 
 
3. EVERY BREATH by Nicholas Sparks 
11 weeks on the list


4. TARGET: ALEX CROSS by James Patterson
6 weeks on the list


5. WHERE THE CRAWDADS SING by Delia Owens
17 weeks on the list


6. THE NEXT PERSON YOU MEET IN HEAVEN by Mitch Albom
12 weeks on the list


7. ELEVATION by Stephen King
9 weeks on the list


8. PAST TENSE by Lee Child
8 weeks on the list


9. NINE PERFECT STRANGERS by Liane Moriarty
8 weeks on the list


10. LONG ROAD TO MERCY by David Baldacci
7 weeks on the list



11. TOM CLANCY: OATH OF OFFICE by Marc Cameron
5 weeks on the list


12. DARK SACRED NIGHT by Michael Connelly
8 weeks on the list


13. LOOK ALIVE TWENTY-FIVE by Janet Evanovich
7 weeks on the list


14. OF BLOOD AND BONE by Nora Roberts
3 weeks on the list

 
15. THERE THERE by Tommy Orange
12 weeks on the list

Non-Fiction Best Sellers 

Full 2019 List

           1. BECOMING by Michelle Obama 

           7 weeks on the list
          

           2. THE POINT OF IT ALL by Charles Krauthammer, edited by Daniel Krauthammer
           4 weeks on the list
          

           3. EDUCATED by Tara Westover
           45 weeks on the list
          

           4. KILLING THE SS by Bill O'Reilly and Martin Dugard
           12 weeks on the list
          

           5. BRIEF ANSWERS TO THE BIG QUESTIONS by Stephen Hawking
          11 weeks on the list
          

           6. SHADE by Pete Souza
           11 weeks on the list
          

           7. LEADERSHIP by Doris Kearns Goodwin
           15 weeks on the list
          

           8. CHURCHILL: WALKING WITH DESTINY by Andrew Roberts
           7 weeks on the list
          

           9. FEAR by Bob Woodward
          16 weeks on the list
          
      
          10. BEASTIE BOYS BOOK by Michael Diamond and Adam Horovitz
          9 weeks on the list
         

         11. THE FIFTH RISK by Michael Lewis
         11 weeks on the list
        
        
         12. SHIP OF FOOLS by Tucker Carlson
         13 weeks on the list
        

         13. 21 LESSONS FOR THE 21ST CENTURY by Yuval Noah Harari
         5 weeks on the list

        

         14. OBAMA by Pete Souza
         23 weeks on the list
        

         15. ASTROPHYSICS FOR PEOPLE IN A HURRY by Neil deGrasse Tyson
         78 weeks on the list
        

Staff Review: Spoonbenders by Daryl Gregory

Spoonbenders, by Daryl Gregory made me laugh more than any other book I've read lately. Gregory’s story about the Amazing Telemachus family has clever dialog and plot, interesting characters, a tight-knit riotous family, and suspense. All these varying elements come together in a cohesive and enjoyable read.

In the '60s, the Telemachus family were on the verge of stardom with their psychic act. Telekinesis, telepathy, time traveling, lie-detecting, astral-projection – each person had their own specialty. Their glimmer of fame was abruptly doused after being discredited on national television by their soon-to-be nemesis Archibald. Fast forward to the '90s – the family are leading an average existence of working small jobs and supporting the next generation. Two of the three psychic children from the '60s now have children of their own. Hormonally charged 14-year-old Matty is beginning to find out who his family was as he stumbles upon his own power. His single mother Irene is working at ALDI to support the family and flirting with the idea of love in the age of dial-up Internet and chat rooms. Buddy has withdrawn into himself and behaves erratically. Frankie is scheming to get money he owes the mob. Maureen is communicating beyond the grave with letters she left the family to open at specific intervals. Teddy is associating with a CIA agent from his past. 

The novel goes back and forth between the decades of the '60s and the '90s. In the '60s, the family’s origins are explained as Teddy the patriarch meets his wife-to-be, Maureen, at a CIA-sponsored psychic-screening test. The seeds for later developments get planted as well. In the '90s, we get the drama and humor that goes along with the next generation (Teddy and Maureen’s three kids) trying to make sense of their present and reconcile their past. 

All the characters are fully realized and likable. I found myself especially drawn to Frankie. Although he puts the family in danger, he’s a lovable misfit with an optimistic outlook. His short fuse and funny lines are frequently the cause of comic relief. 

Gregory’s novel has a lot going for it. There’s a bit of nostalgia for millennials, and to a lesser extent, a bit for baby-boomers. There’s enough suspense to make it a page-turner with humor to keep you grinning throughout. The writing is intelligent and the characters quirky. Those who might be leery of the science fiction themes can rest assured that the psychic element is more of a backdrop in this family drama. The powers often prove more of a burden than a gift. Spoonbenders offers a bit of escapism as well as an affirmation of the bonds of family, no matter how disorderly.  

~Ben, Adult Services

Staff Review: A Gentleman in Moscow by Amor Towles

A Gentleman in Moscow by Amor Towles is approaching its one-year anniversary on the New York Times bestseller list. Having just finished it, I can attest that it deserves every week it has spent there.

For the crime of being an aristocrat after the 1917 Russian Revolution, Count Alexander Ilyich Rostov is placed under life-long house arrest. The "house" to which he is confined, however, is vast: Moscow's majestic Metropol Hotel, where he is sentenced to a 100-foot attic room though he's free to move about the hotel.

Rostov is in his early thirties as the novel opens and through the course of its 480 pages we inhabit thirty-plus years of house arrest with him. And what a time we have of it. Within the space of one building Towles has created a very full world, peopling it with an extensive cast that pivots around the appealing Count and includes international hotel guests, an unctuously evil hotel manager, a beautiful actress, a former Red Army colonel, a prodigious young child, a temperamental chef, a revolutionary friend, an orphan, and many others. The cast is delightful, with most characters assisting the Count in providing this enchanting book with its large heart.

The Count himself is the epitome of grace under pressure. Without ever surrendering his gentility or his humor, he accommodates himself to his newly restricted life, which he manages to lead to the fullest, even embracing a new career as headwaiter at the hotel's premiere restaurant (the Bolsheviks allow the hotel to function in its grand old style to impress foreign visitors who stay there).

The novel often reminded me of a fable or tale and as such it's very much in the Russian tradition. There are table legs filled with gold coins, a clock that tolls but two times a day, a key that opens all doors, a shadowy cat, fine wines by the hundreds, brandy snifters by the score, sumptuous meals and exquisite pastries galore. Yet amidst all these trappings of the old aristocratic life, we are also given a clear view of the new Soviet regime with its endless bureaucracies and Siberian gulags, its negation of the individual in favor of the collective, its privations and Orwellian turns of phrase.

The novel concludes very satisfactorily in 1954 and about that I will say nothing more. From start to finish this book is an impressive piece of architecture; many years of planning went into its construction.To my mind, the novel's two greatest pleasures are the sublime delight Rostov takes in literature, from Montaigne to Russia's great literary masters, and the consistent intelligence and civility of the prose (Towles's debut novel, by the way, published in 2011, was titled Rules of Civility). No small part of this new book's success may be due to its timing. With public discourse these days tending to the divisive and vulgar, A Gentleman in Moscow transports us to a far more charming world.

Ann, Adult Services

Staff Review: A Piece of the World by Christina Baker Kline

Christina Baker Kline, author of the runaway bestseller Orphan Train, is back with a fine new novel, A Piece of the World. The impetus for this new work was Kline's interest in painter Andrew Wyeth's relationship with a considerably older woman, a native Mainer named Anna Christina Olson. Christina, as she was known, is the subject of Wyeth's most famous painting, 1948's Christina's World, and in her new novel, Kline brings the enigmatic Christina to life.

She does a bang-up job of it too, alternating chapters that propel us through Christina's young adulthood with chapters narrating her initial introduction to Wyeth (when she is 46 and he just 22) and their ensuing friendship. At age 46, Christina's life is solitary and hard. She lives without electricity or running water and has suffered since childhood from an undiagnosed condition that eventually reduces her to crawling on her arms, dragging her legs behind her.

Crushed by a huge romantic disappointment in her youth, Christina spends the bulk of her days caring for her crumbling old farmhouse and her brother Alvaro, who works their farm. Their days are not often visited by joy. Enter the energetic and idealistic Andy Wyeth, who is artistically intrigued by the Olson house, its occupants, and the surrounding landscape. Soon he is painting there every day, which he continues to do for the next thirty years, often painting Christina and Alvaro. Not included in the book but adding to its poignancy is the fact that upon his death at age 91, the famous and wealthy Andrew Wyeth, happily married with his own large family, chose to be buried beside Christina and Alvaro in their humble family plot.

Kline paints her characters with the same magical precision Wyeth's paintings are known for. She paints the landscape uncommonly well too, vividly evoking the sometimes-harsh, always beautiful Maine coast. Most touching of all, Kline imbues the physically disabled Christina with dignity and grace, the very qualities Wyeth ascribes to the awkward woman in his paintings. Christina's life was difficult, her days filled with pain, but she enjoyed 30 years of friendship with a remarkable man and was immortalized in one of the world's most famous works of art.

~Ann, Adult Services

Staff Review: Barkskins by Annie Proulx

Barkskins, the new, multi-generational epic by Annie Proulx, won't be for everyone. For one thing, it's over 700 pages long and covers over 300 years of history, specifically the history of the de-nuding of the American landscape by woodchoppers (or barkskins) large and small, individual and corporate. Yes, it's a lengthy tale of the destruction of the great North American forests -- not exactly the feel-good read of the year. At the same time, it's brimming with vitality: lovely, lively writing; gorgeous descriptions of nature; wild and colorful characters. I loved it.

Barkskins opens with the 1697 arrival in New France (now Canada) of indentured servants Charles Duquet and René Sel, both indebted to the same boorish master. The two men quickly part, one dutifully working off his indenture and the other escaping into the woods before losing any more teeth to his master's crude dentistry pliers.

The novel proceeds to tell Duquet's and Sel's stories, following each man's line of descent through multiple generations. Start to finish, they all make their livings from the trees of the vast northern woods, widely considered to be inexhaustible.

René Sel marries into the Mi'kmaq tribe of Nova Scotia and through his line we see the fate of America's indigeneous people as white immigrant families flood into the new country, extirpating the wildlife and appropriating all the land, relentlessly chopping, burning, and laying waste to the woods exactly as they had done in the countries they fled. Think The Lorax writ large. Charles Duquet, he of the bad teeth, founds a timber dynasty, amassing enormous wealth and passing on his rapacious greed to his offspring.

Proulx's characters are rarely two-dimensional, never all good or all bad. A number are even quite sympathetic, and plenty of the rascals come to highly undesirable ends.

If you're into American history -- natural history, Native American history, the history of the timber industry, the settling of North America, the French and Indian Wars --  just to name a few areas, this may well be the book for you. Characters roam the globe as well, travelling to China, New Zealand, Europe, and other vividly-wrought locales. The novel is extremely well-researched and very well- written. It's a lively and rollicking tale, and, in parts, very funny. A live-wire herself, Proulx peppers the book with forceful, intelligent women. And as a added bonus, just by reading it, you'll compile an extensive list of the many graphic and gruesome ways people met untimely ends in the good old days.

~Ann, Adult Services

Staff Review: Wintersong by S. Jae-Jones

If you were a child in the 80's or 90's, you are probably familiar with the Jim Henson movie Labyrinth starring David Bowie and Jennifer Connelly. You might have gone through an obsessive phase and written fanfiction about the movie, and it is possible you still have the movie memorized. I am definitely not speaking from experience or anything. Nope, not me.

So, ANYWAY, when I saw the following quote about Wintersong from the author, S. Jae-Jones, I knew I had to read it.

"In November 2013, I decided to write 50 Shades of Labyrinth for NaNoWriMo. The rest is history."*

Wintersong is a pretty obvious play on the themes behind the movie Labyrinth, but it draws inspiration from many other cultural touchstones. The Phantom of the Opera, the works of Mozart, Rossetti's Goblin Market, even the classic fairy tale of Beauty and the Beast.

If the "50 Shades" description is a turn-off for you, fear not. This book is firmly in the Young Adult category, and while there are some sexy-ish scenes, there's nothing above PG-13. It's definitely not erotica. It's also set in Bavaria in the 19th century, so there's a more repressed emotion and longing than anything else.

Liesl has always been the one to look after of her sister Käthe and brother Josef. Her father is a drunk and her mother works too hard, but Liesl puts her family first. Though she believed in der Erlkönig (the Goblin King) as a young child, she has outgrown the old superstitions. When Käthe is taken by the Goblin King, he makes a wager with Liesl. It's up to her to find Käthe in the Goblin Kingdom and get her back to safety. The question is, will Liesl be able to do it? And what will happen if she loses the game?

I got lost in this book. The characters are rich, and there is enough suspense to keep you turning the pages. S. Jae-Jones has a way with words, and the world she creates is one that you want to live in. Macmillan have already announced a companion novel due out next year. Is it 2018 yet?

- Libby, Youth Services

If you like Wintersong, try these:

Beauty: a retelling of the story of Beauty & the Beast by Robin McKinley
As Old As Time by Liz Braswell
Seraphina by Rachel Hartman



* No, really, she said that.

Look at this man and tell me you didn't have a crush on him when you were 13.
You didn't?
I don't believe you. 

Staff Review: The Underground Railroad by Colson Whitehead

It's hard to do justice to Colson Whitehead's The Underground Railroad in a quick review. I was leery of reading it because I knew it was going to be emotionally wrenching -- and it was -- but it's also sublime and wonderful: beautifully written, compelling, imaginative, even fantastical in parts, yet it rings so true. Whitehead obviously did a vast amount of research for the novel, but there's not a word of dialogue that breaks the story's spell.

In the second sentence of her New York Times review of the book, Michiko Kakutani calls The Underground Railroad "a potent, almost hallucinatory novel that leaves the reader with a devastating understanding of the terrible human costs of slavery." That it does. 

The novel tells the story of Cora, a slave on the Georgia cotton plantation of an especially brutal man, a drunkard and a sadist. Circumstances and a fellow slave convince Cora to attempt an escape and what follows is the wild narrative of her long journey to freedom, with an ever-changing cast of accomplices, comrades, and brutes. Sadly, lots and lots of brutes; slave-catching was a lucrative pursuit and particularly attractive to the lowest of the low. 

Cora travels via a literal underground railroad, to South Carolina, North Carolina, Tennessee, and then further west. We observe the topography of slavery from myriad, awful angles. It's a rough journey in every possible way, but thankfully it leads in the direction of redemption. 

I thought, going in, that I was well aware of the depths of the slavery horror but, come to find out, I'd barely plumbed them. It's a terrible thing confronting the fact that man's inhumanity can exceed one's wildest imaginings. The challenge is not to hate back. 

Reading The Underground Railroad was an experience I won't soon forget. It deepened my compassion and increased my understanding. The novel has occupied the bestseller list for over 30 weeks now, which is heartening. Maybe compassion and understanding will start to go viral.

~Ann, Adult Services

Staff Review: Sweetbitter by Stephanie Danler

Sweetbitter by Stephanie Danler is not the sort of book I normally read, but my daughter works in the restaurant business, so we decided to read it together. She read a paper copy and I listened to audio. This novel earned its young debut-author a six-figure advance but it's meeting with mixed reviews; critics are swooning but readers aren't so smitten: on Goodreads, they're more inclined to three stars.

Sweetbitter tells the story of Tess, a 22-year-old Midwesterner who, in 2006, leaves home to move, solo, to New York City, where she quickly lands a back-waiter position at one of New York's most prestigious restaurants (a loosely disguised Union Square Café).

What follows is the narrative of her exhilarating, heartbreaking, exhausting, energizing new life. There's a great deal of food and wine talk, lots and lots of drugs, and a generous helping of sex. Foodies will enjoy the book for the truffles, figs, and oysters alone. It's the alcohol- and drug-fueled decadence that seems to turn some readers off, but my daughter confirms that the lifestyle Danler depicts is spot-on for many in the industry.

Sweetbitter looks, and occasionally reads, like a nice bit of fluff, but the novel is more than a beach book. It's got some meat on its bones. For one thing, Danler can write and she has a wonderful eye for the telling detail, whether it's the look, smell, and feel of a rapidly altering New York City or the devastating after-effects of an over-the-top binge. The rigors of restaurant work are nicely drawn too, and we get a genuine feel for staff camaraderie, liaisons, and clashes, the flawless nights of almost-choreographed service and the nights that are slapstick fiascos.

I found the book's ending to be something of a disappointment. That aside, what impressed me most about the book is the author's psychological acuity. She describes her character's loneliness in the vast, churning city, or her sudden recognition of the shallowness of her staff friendships, and the reader feels these things too. For all her callow youth, Tess's observations are often wise beyond her years and it's a testament to the author that they so often ring true.

Audio Notes: the audiobook narrator takes a little getting used to --  her voice is husky, characterized by what reviewers call "vocal fry," but once I adjusted, I enjoyed her nuanced reading. She's great with accents too and has some fun with southern, Bronx, and heavy Russian ones. 

~Ann, Adult Services

Staff Review: The Painter by Peter Heller

The Painter by Peter Heller, the second novel by the author of the highly acclaimed debut novel The Dog Stars, was the library's adult book discussion selection for November.

Heller is an experienced travel and adventure writer who tackled fiction for the first time four years ago. His years spent writing about the outdoors surely show in this beautifully written new novel: his evocations of the landscapes of New Mexico and Colorado shimmer.

The focus of the story is one artist's attempts to come to grips with his darker side, his sudden and seemingly unavoidable urges toward violence when sufficiently triggered. What renders renowned painter Jim Stegner sympathetic is that what sets him off would set us off too: lewd comments about his teenaged daughter, a man's cruelty to a terrified horse. Unfortunately, Jim's reactions to these offenses tend toward the lethal; if only he could content himself with a good punch.

The novel opens with Jim having served time for one such incident and then having fled New Mexico for Colorado, to heal and resume his painting. But as one might expect with such a volatile man, Jim's new tranquility is short-lived. A second incident quickly ensues.

The novel narrates the second episode and its aftermath, taking the reader on a suspenseful journey through police investigations, games of cat and mouse with vengeful men, and Jim's increasingly successful and lucrative art life. We also get romance and plenty of fly-fishing, Jim's outlet and obsession, each fishing scene beautifully described. Heller writes his villains well too.

The novel has an interior life as well: Heller describes his protagonist's frequent musings down memory lane, his many old and new relationships, and his nearly continuous, if not entirely plausible, grappling with his demons.

Where the book let me down (and at times made me mad) was in its depictions of its female characters, who are "fleshed out" rather too much: we're told over and over of their beauty, their body parts, their sex appeal, assets they wield like the men wield their fishing rods and guns. Heller's male characters are never objectified this way. One reviewer called this book "a novel for manly men" and "a well-landed punch on the side of rugged masculinity."  If you ask me, we've catered to that crowd long enough.  

~Ann, Adult Services